صمت الأصداء

Silence of Echoes

Byssan Samny بسان سامني

With the love and support of my mother in bringing this project to life / With support from Fatima & Naima in making the rug.

Silence of Echoes is a journey, a return to the land, to my Moroccan roots, and to the women whose wisdom has shaped me. It holds a quiet truth: we have always known how to live with the earth, moving in rhythm with its breath, guided by care, patience, and love. Our rituals, Indigenous knowledge, and ancestral practices carry the answers we are still trying to name.

At its heart, this work is a love letter to the land of my birth, to the hands that continue to tend it with care, and to the women who protect, resist, and give life to a future worth fighting for.

The project unfolds in three interconnected parts: a حكاية) Hikaya) that whispers the stories of the past, a documentary that captures the present, and a handwoven rug that traces a path toward the future. Together, they speak in memory, in texture, and in voice, holding space for reflection, healing, and hope.

The title, Silence of Echoes – األصداء صمت, is a tribute to the stories that refuse to disappear, carrying the weight, wisdom, and resilience of generations.

Part I:The Path of Hope

درب الأمل

Traditional Amazigh Hand-made wool rug (Made in Morocco)

The Path of Hope - درب الأمل, is a handcrafted rug where every thread traces a path of hope and resilience. At its heart, the Tree of Life rises, its roots flowing into a river of renewal. The work celebrates Morocco’s natural and cultural heritage, weaving together motifs of resilience, peace, blessing and abundance. Crafted from locally sourced wool and natural dyes that echo Morocco’s earth, sky, and water, the rug becomes both a tapestry of memory and a map toward a hopeful future.

Part 2: Hikaya

Hikaya is a bilingual illustrated book in English and Arabic, weaving together stories and poetry across its chapters. Through photographs of the artist’s own family, which offer a glimpse into the intimate life of a Moroccan household, and the written word, the book traces the artist’s ancestral narratives, reflecting on Morocco’s cultural heritage, resilience, and hope. It celebrates memory, identity, and the enduring connections between past and present.

Part 3: The Journey

Short Documentary

The Journey follows the artist as she brings “The Path of Hope” to life, weaving together the Hikaya—the stories that shape it—and the realities of present-day Morocco. Through the voices of local women, families, and communities, the film explores daily life, social and environmental challenges, and the resilience and strength of contemporary Morocco. Alongside intimate interviews and moments from the artist’s creative process, the documentary connects past, present, and future, showing how tradition, memory, and hope continue to shape the land and its people. The Journey is both a meditation on creativity and a portrait of the ties that bind people to their heritage and to one another.

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Byssan Samny بسان سامني

22, The Kingdom of Morocco المملكة المغربية

I make art the way one remembers a dream: slowly, through fragments, textures, and echoes. My practice

lives at the intersection of the intimate and the ancestral, drawing inspirations from my Moroccan

heritage, oral histories, and the silent language of cloth and thread. I move between mediums: textile,

poetry, music, and writing, following the materials that speak back to me. Each work is an offering, a

question, a fragment of a larger memory I am still piecing together.

I am drawn to stories that live in the margins, the ones passed down in kitchens, stitched into garments,

carried in chants. My art is both an act of preservation and invention, honoring the women who came

before me while imagining what their voices might have said if they had been handed the pen, the loom,

or the lens. Through the movements of my hands, I have learned to give life to the unspoken stories

around me. To stitch, to braid, to write, these are gestures of remembrance, but also of becoming.

My homeland is the root of my inspiration. I was born in the Land of the Setting Sun, in the arms of the

Atlas Mountains, cradled by the Atlantic’s eternal murmurs, and warmed by the Sahara. I grew up

immersed in nature’s abundance, learning humility and reverence for the earth. The red soil, the call to

prayer, and the hands tending the land with care shaped my earliest understanding of connection and

endurance.

In my eyes, hope is a woman; strength is a woman, my mother, my grandmothers, and the countless

Moroccan women whose labor, tenderness, and courage shape the world around them. My work is an

homage to them: to their stories, resilience, beauty, and survival. Through it, I carry the spirit of Morocco,

from the land of the Atlas to the world beyond, welcoming viewers into that realm with open arms.

In my work, these stories live not only in spirit but in sensation. Each sense holds its own archive: the

roughness of thread, the rhythm of a chant, the smell of earth after rain, the shifting colors of the horizon. I braid these fragments into my art as thread is woven into a rug entering into dialogue with them. Through this practice full of care, I honor my roots, imagine possibility, and create a space where past, present, and future meet.

For me, art is a home: soft, messy, sacred. It is not about finding answers but about dwelling in spaces where memory resists closure. My hope is that my work invites others into that space, not as distant spectators but as carriers of memory themselves, finding traces of their own lives within mine. To create is, for me, to insist on hope, to honor what came before, and to keep imagining what is still to come.